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This is an account of our tour opening for De/Vision in
January 2004. All the words are mine, and all of the photos were taken
by either myself or Reagan. My recollection was fuzzy at times, so if
there's any errors in names or places, please forgive...
- Andrew
DEPARTURE
The day finally arrives. Me and Reagan
are taking seperate planes to Chicago, where we'll meet and continue to
Frankfurt. Arrive at the Austin airport to discover that my flight to
O'Hare is delayed over an hour. Not good. I call Reagan, turns out his
plane is also delayed. Wonderful. We finally leave about an hour and a
half late - at this point it's looking impossible to make the connection
to Frankfurt. I finally land in Chicago, call Reagan, who says, "The
plane's delayed, hurry you might make it!". So, I sprint half a mile
through O'Hare, almost killing myself, finally arrive at the gate, and
it turns out the plane has mechanical difficulties and won't be leaving
for another hour. Higher powers are behind us...
1/22 FRANKFURT
After the 8 hour flight, we arrive
at around 11 AM local time, and are picked up by our european label manager,
Torben Schmidt. We load the gear into his spacious 5-series BMW and head
to his place in Stockstadt. Everybody in Germany seems to drive BMW's
or Mercedes. His studio is very nice, and it's almost all hardware! Torben
was originally supposed to be with us for the entire tour, but he has
to play keyboards for Suicide Commando for two shows that overlap ours,
so his friend Markus will accompany us for the first part of the tour.
We hang out for a while until Markus arrives, and we head out to dinner.
Afterwards, we arrive at Markus's loft in Wiesbaden (a nice ritzy suburb
of Frankfurt), drop off our things, and head out to check out a little
club called the Cave in Frankfurt. They like hard-ass industrial beats
in Frankfurt, and they have their own specific dance: make side to side
stomping motions every 2 beats, lean backward a bit, and try to form a
loose circle. Interesting fact: in most bars in Germany, they add a small
surcharge when you order a beer, which you get back when you return the
glass. Certainly keeps the bars clean. Another fact: There is NO parking
in Wiesbaden. People park on the sidewalk, on the grass, and even IN THE
MIDDLE OF THE ROAD. It's like everyone suddenly decided that the innermost
lanes of the street might as well be a parking lot. The power of collective
action!
We get back to Markus's place and
go to bed. Reagan sleeps on a cot right next to Markus's record archives.
Predictably, sometime in the middle of the night, there's this big crash
as about 100 vinyl records fall on Reagan's head. Luckily, he wasn't injured..
1/23 FRANKFURT
-> DRESDEN (Strasse E / Bunker)
Time for the long cross-Germany trip
to Dresden for the first show. Markus is a German rep for Audio Technica
so he's letting us use a brand new top-tier wireless microphone for the
shows. People haul serious ass on the autobahn (150 mph is not uncommon
at all). We cross into East Germany, and stop at a weird little McDonalds.
Pretty much the same as the US version, except that there's no ice in
the drinks (in Germany, it seems they don't like ice period), and some
weird additions of fruit to the menu.
Finally we arrive in Dresden, a very
Soviet-era industrial type of town. After driving around for a bit, we
locate the venue, but not the bus, or anyone else. It's really, really
cold. -10 C and dropping. Eventually we locate everyone and get acquainted.
De/Vision has 4 people for this tour, Steffen (vocals), Thomas (keyboards),
Lars (guitars), and Achim (drummer, also plays with Wolfsheim and Project
Pitchfork). There's also the tour manager, Jan Winterfeld (from Pluswelt),
two stagehands (Michael and Udo), the soundman (Axel), lighting tech (Daniel),
and the merchandise person (Alex).
We finally get to see the tour bus,
which is huge. Two-story, sleeping quarters up top, with small lounge
(w/PS2, DVD). Downstairs is bathroom, large lounge, and the refridgerator.
The beds are little tiny coffin-like affairs, barely enough to roll over
once in, but they're functional. The outside door is controlled by a keycode,
to keep valuables safe. A large trailer in the back holds all the serious
gear, the soundboard, monitors, lighting rig, etc.
For each show, it takes a few hours
to set up the PA and lighting systems, and then another 1-2 hours for
De/Vision to soundcheck everything (the drums take the longest). After
that, I set up our keyboards wherever there's room left (without disturbing
their items). Then, we check vocals, run through a few songs, and we're
ready to go.
Showtime approaches (too) quickly.
De/Vision has a strong fanbase in East Germany. We are both very nervous.
The first few songs are rough, but it gets better as the set goes on.
Most of the people at our shows don't seem to know us, but we tend to
convert quite a few people to our side during the course of the tour.
Finally it's over, not our best performance, but they'll hopefully get
better. De/Vision's performance was excellent, they are very consistent,
and Steffen is an energetic frontman. On this tour they are playing about
a 20-song set, with two new songs, "Dreaming of You" (which
is definitely my new favorite D/V song), and "Six Feet Underground".
Afterparty happens in the side club
(Bunker), which involves lots of drinking Jim Beam with Thomas and stumbling
around in the dark until around 4 AM
1/24 BEHRINGEN (Kulturhaus)
Sleeping on the bus isn't bad, our
driver is good and the hum of the engines is almost calming. We get to
Behringen, which is a little town in the middle of nowhere in central/east
Germany (sort of near Eisenach or Erfurt). "Kulturhaus" really
means "American Legion", this place looks like they should be
having a high school pep rally or something here. Lots of little kids
running around for some weird unknown reason. Reagan decides to take a
walk and explore the surroundings, even though it's boring and everything's
closed. I'm starting to realize that touring really involves a lot of
waiting around doing nothing. We arrive at 1 PM and don't really do anything
of interest until our soundcheck which is around 6.
The show is good, rough start (again,
*sigh*) but definitely gets better towards the end. We're getting a bit
more into the groove. Crowd is stone cold, almost motionless at first,
but by the end they were cheering. Germans are shy, they won't talk to
you or ask for autographs unless they see someone else do it first. After
the show all the lights go on, and everyone kind of migrates to this side
room where there's another bar, and that't the afterparty. We meet some
people that came to see us all the way from Munich, they were very nice.
Reagan meets some girls from Erfurt who have been converted to the Iris
cause. We proceed to get very drunk (especially Reagan, who had to visit
a snowbank). Finally get back to the bus at around 2 AM.
1/25 BERLIN (Columbia
Fritz)
It's getting hard to remember what
day of the week it is.
The venue is excellent, it's small
(800 cap) but really really nice, a lot of big bands play here. 2 dressing
rooms, showers (!), nice kitchen, etc. More fascinating facts: All milk
and juice in Germany comes in little rectangular boxes. The variety of
meat products is amazing. It's shame that the venue is on the outskirts
of town, we don't see to see Berlin at all.
Our sound check was great. Jan Winterfeld
arrives with 3 British friends in tow, who flew from Britain to see *us*,
including Wendy (the sister of Rich from Mesh). We have a very nice chat,
and then it's almost showtime. German shows are very punctual. If the
info says doors at 8, first band at 8:30, the place will often be 75%
full by 8:15.
We go out and have what I consider
to be a fantastic show. Reagan is perfect, the crowd is very energetic
(some people even seem to know the words!). At the end they're wanting
more, but our time limit is very strict so we have to refrain from an
encore. I wander out to hang out by the merchandise booth, and drink a
beer. We end up signing tons of autographs. Michael points out that two
members of Camouflage are in attendance, I get to say hello to them briefly.
I meet a girl from Salt Lake City who just moved to Berlin to be a 4th
grade teacher. Afterparty happens backstage, it's crazy, but the security
people kick everyone out after a few hours.
1/26 HANNOVER (Faust)
Today my digital camera decides to
die. Very annoying. The venue is weird, kind of a punk-rock venue, but
the backstage upstairs almost looks like an apartment. More sitting around,
waiting. Catering is excellent, chicken with mashed potatoes. Germans
know how to treat their bands, I tell you.
Torben shows up, a nice surprise,
he's back from his gigs with Suicide Commando. Show is good, we sell a
decent amount of merch. I get to meet Michael from Beborn Beton, who's
there to see us. Also rumor is that one of the guys from Oomph (a huge
band in Germany) is wandering around somewhere. D/V show is great as always,
but there were a few audio problems with the house PA. The girls Reagan
met in Behringen show up again (they are true fans now!). Went to bed
early, to rest before Hamburg.
1/27 HAMBURG (Markthalle)
Very bumpy ride to Hamburg. It's
the first time that I don't sleep very well on the bus. Or maybe it's
because I didn't have very many drinks the night before?
Hamburg is excellent. Very cool town,
and for the first time we're right downtown. Markthalle is huge, almost
maze-like, very cool stage. Finally wander around a bit, find an internet
cafe in the bottom of "Saturn", which is this huge Best Buy-esque
kinda place. I spend half of my alloted time deleting spam mail. We wander
around a bit more, eventually get back to the venue in time for sound
check. We work through our new track a bit in sound check, try to get
the vocals down a bit better.
Some people from "Crazy Clips
TV" (?) arrive and we film a quick soundbite for them. Stefan Netschio
from Beborn Beton shows up to say hello, he's very nice. I clean up a
bit, Reagan goes to prepare for the show. Right afterward, Frank Spinath
from Seabound arrives with his wife Birgit to say hello, they are charming
people. We talk about the new record and general music biz stuff for a
while, but then showtime arrives.
Achim introduces me to the tour manager
for Wolfsheim, who's here to check out the show. We were hoping to do
a show with them on their US tour, and Wolfsheim evidently is very picky
about support bands, so hopefully we'll make a good impression.
Hamburg audiences have a reputation
for being notoriously difficult. We arrive onstage to see the audience
mostly sitting down, almost in a loose circle. Frank is the only person
in front-center, standing as a show of support. But we rock 'em, and by
the end they have filled in and seem very appreciative. By this point
we have decided on the set we'll use for the rest of the tour: Whatever
/ Lose in Wanting / Sorrow Expert / Vacant / In Spite / Annie / Appetite
(new song) / Unknown
After the show we meet Ronan from
VNV Nation, who decided to stop by and chat for a bit, since he lives
in Hamburg now. We talk for a long time. Reagan seems a bit ill, and heads
back to the bus early. After a while, it's back to the bus, and off to
the hotel (finally!)
1/28 HAMBURG -
DAY OFF
I wake up to meet Markus for breakfast.
At this point we start to have a problem - Reagan is really ill. He has
a fever, and he's going to sleep all afternoon to try to shake it off.
Jan stops by a pharmacy and brings back some meds, and I snag him some
OJ from the grocery next door.
Me and Markus set off to explore
Hamburg for a bit. This is the first real sightseeing I've had since we
arrived. Hamburg is a very pretty town. We check out the big pedestrian
shopping district, the harbor area near the Elbe river, a huge ancient
church (St. Michaels) where C.P. Bach and Brahms were music directors,
and a few other sights. Get back to the hotel and rest for a bit. Head
out with Jan to a Spanish restaurant where we meet Stefan from BB again,
and eat some very nice tapas. I have two really strong mojitos which almost
instantly get me buzzed. Back to the hotel. The bus leaves for Mannheim
very early (2 AM), so we don't get to stay the second night in the hotel.
I make sure that Reagan's up, and we get on the bus.
1/29 MANNHEIM (Alte
Feuerwache)
Very bumpy ride to Mannheim, and
there's ice on the roads, so it's almost a bit slower than planned. Luckily
I sleep through most of it. The venue is very large, it's an old firehouse
converted into a concert venue. Looks like most of the acts that usually
play here are of the drum and bass/trip-top/ragga variety. Reagan is still
sick, and is asking if he can see a doctor just to make sure that nothing
really serious is wrong. He heads off with Markus, and I go wander around
the city a bit. It's a pretty boring town, but has a neat pedestrian main
street with trolleys. I eat at a McDonalds (ugh) before heading back.
We manage to get through sound check
surprisingly well. Reagan heads off to a back room where there's a bed
to rest before the show. There's no catering tonight, so me and Torben
head off to McDonalds (again) to get a quick bite. We come back, and nobody
knows where Reagan is. Finally we find the room he was sleeping in, but
it's locked, and we don't know who has a key. 10 minutes until stage.
Still waiting for the key, we're banging on the door, no answer. Finally
it's opened, and he's not there! We eventually locate him backstage, and
do the show. Performance is remarkably good considering our singer's illness,
and we get a good response. Turnout is a bit iffy for this one, hall is
only half-full. Jan tells me that this is traditionally a tough town for
D/V. I meet Simon Jarosch from Santorin Records (we were friends back
in the demoscene days). I'm starting to feel a bit sick now myself. At
this point, we have to bid adieu to the incredibly helpful Markus, who
has to go back to work in Wiesbaden. We hand our passports to Jan for
the border crossing tomorrow. Time to sleep.
1/30 ZURICH (Dynamo)
It takes a LONG time to get to Zurich,
including an extended stop at the border crossing. We're traveling in
a bus with probably $100k+ in great, and they want to know about everything.
Reagan is feeling better, I'm feeling worse, and now I have the dreaded
cough which heralds the oncoming fever. I take a bunch of meds to try
to head it off and wander around. Zurich is very pretty, cobblestone streets,
rivers cutting through the city. Lots of little advertising and design
companies, weird merchants, etc. The place where we're playing (Dynamo)
is a multi-story building which seems to be some sort of arts collective.
On the bottom floor there's a bunch of people doing metalwork.
We meet Dennis from In Strict Confidence
who will be joining us for this show. They have Nadine (who sang on their
new record "Holy") doing guest vocals for this show. Sound checks
go well, if a bit late. Everyone warns me about how stiff Swiss audiences
are.
The show is good, we warm them up
quite a bit. We were supposed to cut a song for this set, but I don't,
and nobody complains. Afterwards we meet Henrik and Vasi from NamNamBulu,
very nice guys. We also meet two fans from Norway who flew all the way
to see us but arrived five minutes after our set was *over*. Ugh. ISC
puts on a great show. They were using our microphone for Nadine's vocals,
and it decides to turn itself off right before the last song, there's
a bit of confusion as to how to turn it on, so they start the song over
and everything's great again. De/Vision rocks the house as always, with
2 encores.
1/31 KREFELD (Kulturfabrik)
The last time sleeping on the bus!
This show is the Pluswelt festival, with us, D/V, ISC, and a band called
the Eternal Afflict. I'm now seriously feeling pretty bad. Taking more
pills to hold on for the last show. Venue is very nice and big, with a
sizable side club. Sound check is all out of order because ISC has to
attend an autograph signing, so we check before they do. But it all works
somehow. I'm a bit worried because there is some confusion on the posters
about the start times, and we start very soon after doors open.
Showtime arrives, and we rock the
god damned house. Our set is very short this time (30 minutes), but we
make the best of it. In the middle of "In Spite", a lot of our
crew comes onstage with this big "Applaus" sign they stole from
the Berlin show, it was a very sweet gesture. A surprising number of people
seem to know the words. We meet a bunch of people from Holland that came
to the show, including Marco (from Angels and Agony) who is setting up
our Rotterdam show in March. I also have a nice chat with Volker from
T.O.Y., and bunch of other people in the side-club. Reagan makes a sneaky
surprise appearance onstage singing backup during D/V's "Hands on
my skin". De/Vision ends their last encore with one of their prettiest
and most emotional songs, "The day's not done", and it's a great
note to end on. We sell a lot of merch, get pretty lit at the afterparty.
I say goodbye to our friends in the crew, and we load the gear into Torben's
car in preparation to head back from Frankfurt. Jan gives me a big hug
and then tries to pick me up and carry me around, upside down (he's surprisingly
strong). We say the rest of our goodbyes and settle in for the 2 hour
drive back.
2/01 FRANKFURT
--> BACK IN THE USA
We relax in Frankfurt the next day,
trying to make sense of it all. Torben takes us out to check out some
sights in Aschaffenburg and Stockstadt, we see some cool churches and
castles. Unfortunately it starts to rain, so we head back to the house
for a nice home-cooked meal and sleep. The next day, we head off to the
airport and say goodbye. The flight from Frankfurt to Chicago goes smooth,
but once we get to Chicago, the pain begins. There's a huge blizzard hitting
the area and all flights are messed up. It takes an hour to get through
immigration, and then we find out that Reagan's flight is delayed, and
mine is cancelled. Eventually Reagan leaves, and I get a new flight, but
it doesn't leave until 10 PM. Then there's another delay as they de-ice
the plane, and finally we take off. Get back into Austin about 1 AM local
time after almost 20 hours of travel, say hi to April, and crash, hard.
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